John Nelson conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia in Handel's Messiah. Soprano, Sara Blanch; mezzo-soprano, Sasha Cooke; tenor, Krystian Adam; bass, Alex Esposito. Choir master, Andrea Secchi.

A modern version of Charles Dickens work. Gioele is a modern-day Scrooge, who hates Christmas but will end up changing his mind, also thanks to the love of his secretary Bianca.

Handel (1685-1759) is the first "pop titan" in history. His hits such as the "Hallelujah", the "Sarabande" or the coronation chorus "Zadok the priest", which was reworked as the Champions League anthem, are well-known catchy tunes. He was also successful as an entrepreneur.

From the Auditorium Parco della Musica – Sala Santa Cecilia, Antonio Pappano conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia. Sciarrino: ‘La nuova Euridice secondo Rilke’ – Bach: ‘Magnificat’. Sopranos Barbara Hannigan and Amanda Forsythe.

Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.

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From the Auditorium Parco della Musica – Sala Santa Cecilia, the Orchestra dell'Accademia Nazionale di Santa Cecilia, conducted by Antonio Pappano, performs Rachmaninoff’s The Isle of the Dead and Piano Concerto No. 1, and Sibelius’s Symphony No. 2. Alexander Romanovsky is at the piano.

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

Roberto Covelli, a Roman lawyer, goes on a Christmas holiday to his chalet in Cortina with his wife Elena and their daughters.

The Orchestra of the Accademia Nazionale di Santa Cecilia, conducted by Antonio Pappano and featuring soprano Dorothea Roschmann, performs works by Giacomo Puccini, Richard Strauss and Sergei Rachmaninoff.